IV. Jazz - America's Music
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52nd Street
Parker & Monk
Paul Desmond
Anthony Braxton
Malachi Favors
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A. America's indigenous art form
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Jazz is America’s indigenous art form, having its birth and evolution in the United States. In 1987 the Joint Houses of Congress passed a resolution declaring jazz an American National Treasure. Jazz masters have been honored in Washington DC (as well as throughout the country), appeared on postage stamps, etc. |
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B. Jazz is everywhere
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Jazz is everywhere; it is an ingrained element of American styles and attitudes. |
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jazz nightclubs, concert halls, festivals, college and university recital halls, coffee shops, shopping malls, hotel lobbies, restaurants, art museums
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sidewalks and subway stations
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elementary, middle, and high school classrooms; college classrooms
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television and film soundtracks; television commercials
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vinyl records, CDs, mp3s, the radio, and the internet
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C. A Reflection of American Culture
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Throughout America’s turbulent 20th and 21st centuries, jazz has entertained, interested, affected, and inspired Americans; it has contributed to and been a reflection of American culture. |
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Jazz has inspired more praise and more controversy than any other American music.
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Jazz, more than any other music, has been closely associated with the geographical, social, political, and economic affects of American cities as well as the fluctuating reputation of American culture throughout the world.
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Jazz, more than any other music, has been intimately linked with legal and social equality for all, particularly African Americans.
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Jazz emerged out of ragtime at the turn of the 20th century during a tumultuous period of urban and industrial growth.
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In the 1920s, jazz symbolized the cultural struggle between modernists and traditionalists.
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This period in American history has been coined the "Jazz Age."
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As the “new” jazz music was, in part, a rejection of what traditionalists thought music was “supposed” to be, it was a metaphor for the rejection of Victorian values which dominated 19th century American life.
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In the 1930’s, jazz reached new levels of sophistication in the Swing Era, reflecting America’s need for self-esteem following the Great Depression.
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The World War II era witnessed rapid changes in American tastes as well as logistics of making music (e.g., the decline of large ensembles in favor of the jazz combo was, in part, due to economic and social reasons).
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In the late 1950s and 60s, avant-garde and free jazz reflected America’s social and political changes and the loosening of strict standards of behavior.
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Today, jazz is universal. It is performed and listened to by people of virtually every ethnicity, religion, and attitude all over the globe – a reflection of the world becoming “smaller” (via technology and mass communication) and, perhaps, of the planet’s best-intentioned striving to bring its peoples together.
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Jazz is widely considered America's greatest artistic gift to the rest of the world.
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Today, jazz is not only America's music, it is the world's music.
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The United Nations Educational, Scientific and Cultural Organization (UNESCO) officially designated April 30th as International Jazz Day in order to highlight jazz and its diplomatic role of uniting people in all corners of the globe.
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International Jazz Day brings together communities, schools, artists, historians, academics, and jazz enthusiasts all over the world to celebrate and learn about jazz and its roots, future and impact; raise awareness of the need for intercultural dialogue and mutual understanding; and reinforce international cooperation and communication.
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International Jazz Day is chaired and led by UNESCO Director General Audrey Azoulay and legendary jazz pianist and composer Herbie Hancock, who serves as a UNESCO Ambassador for Intercultural Dialogue and Chairman of the Herbie Hancock Institute of Jazz.
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