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X. Ragtime
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A. Piano Style
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Ragtime is primarily a solo piano style and was the immediate precursor to jazz.
- It originated in the late 19th and early 20th centuries.
- It consists of each hand doing something different:
- The left hand plays a steady, almost march-like succession of alternating bass notes and chords in a steady "oom-pah, oom-pah, oom-pah, oom-pah" fashion.
- The right hand plays syncopated melodies in a "ragged" fashion (hence the name "ragtime").
- Ragtime is primarily an African American invention and was a source of pride to African American composers, musicians, and listeners.
- One of ragtime’s inventors and most important pianists and composers was Scott Joplin.
- Since ragtime was conceived and developed before records were invented, it was "recorded" on piano rolls.
- Piano rolls were long rolls of thick paper that had holes (i.e., perforations) punched in them. When spun through a special type of mechanical piano (called a "player piano"), the instrument would mechanically play the notes indicated by the perforations; different songs had different patterns of perforations.
- By someone simply pumping two foot pedals back and forth at the bottom of the piano, the piano roll would spin through a mechanism that would mechanically press down the appropriate piano keys, making it play the song. The faster you pumped the pedals, the faster the tempo would be.
- Ragtime really isn't jazz since it rarely includes improvisation. However, it was the immediate precursor of jazz.
- Bands tried to imitate the ragtime style.
- They added improvisation and, thus, jazz was born.
- For an excellent example of ragtime, listen to Scott Joplin’s "Maple Leaf Rag" on the Instrumental History of Jazz and/or "The Entertainer" by clicking below.
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Audio Snippets
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B. Cultural Implications of Ragtime
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- Ragtime represents musics from both Europe and Africa.
- The piano is a European instrument.
- The left hand (steady march-like rhythm) was derived from European classical music and marches.
- The chord progressions were rooted in European classical music.
- Ragtime uses standard European notation (all the music was written).
- The right hand's syncopated, “ragged” melodies, derived from complex polyrhythms (several different rhythms played simultaneously), have their roots in African music.
- Ragtime was enjoyed by both European and African Americans as it reflected the full gamut from conservative to liberal attitudes.
- Conservative example: ragtime was performed on the piano, a white middle class symbol of nostalgia and status.
- Liberal example: ragtime’s syncopations reflected the exciting pace of modern industrial life.
- Listen once again to Scott Joplin’s “Maple Leaf Rag” and/or “The Entertainer” and see if you can “hear” these cultural implications in the music.
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Video Clips
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