IV. Cultural Implications
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52nd Street
Billie Holiday
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A. Geographical
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bebop was centered in New York City |
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B. Cultural
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racism and segregation were rampant in America during the swing and bebop eras; for example, African Americans:
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a. |
often had to stay at separate hotels; in some cases traveling musicians would have to stay at black rooming houses or sleep on the bus
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b. |
would often have to eat at separate restaurants; in some cases African American musicians were not even permitted to eat at the same nightclub/restaurant they were filling with large audiences night after night (sometimes they were not even permitted to use the front entrance)
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were often required to use separate public bathrooms and water fountains
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were often required to sit in the back of city busses
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the 1930s, ‘40s, and '50s witnessed horrific injustices against African Americans, including lynchings; play "Strange Fruit," Billie Holiday (JIA)
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3. |
as with so many styles of jazz, bebop reflected the culture of the times, growing out of the desire of African Americans to create their own music; like the African American experience at the time, the music:
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c. |
explored new directions, uncharted territory
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d. |
was separate from the mainstream of America
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Audio Snippets
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