III. Ragtime (1896-1917)
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upright piano
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A. Ragtime was the direct precursor to jazz
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B. Primarily a solo piano style7
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incorporated military march like steady time in the left hand and syncopated (i.e., “ragged”) melodies in the right |
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C. Ragtime reflected both African and European musical traditions
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complex right-hand syncopation derived from polyrhythms (several different rhythms played simultaneously)
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ragtime was developed and first played primarily by African Americans and was a source of pride to African American composers, musicians, and listeners
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the most prominent ragtime composer in history was Scott Joplin
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the piano itself was of European origin
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written musical notation
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standard European chord progressions
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D. Ragtime’s cultural implications
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ragtime was developed in response to and reflected the “balance” of American attitude in the late 19th and early 20th century
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the recognized and cherished American traditions (e.g., conservatism, motherhood, rural life) was symbolized by the piano itself (a “classical” instrument) and ragtime’s simple left-hand march rhythms
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new fast pace living (e.g., expansion of lively public leisure, excitement of diverse urban populations and pleasures, etc.) was symbolized by ragtime’s ragged complex right-hand syncopation
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ragtime was enjoyed by both European and African-Americans as it reflected the full gamut from conservative to liberal attitudes (note: music is in the ear of the beholder)
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conservative example: ragtime was performed on the piano, a white middle class symbol of nostalgia and status
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liberal example: ragtime’s syncopations, derived from Black musical traditions, reflected the exciting pace of modern industrial life
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E. play an example of Ragtime
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"Maple Leaf Rag," Scott Joplin (IHJ) and/or "The Entertainer," Scott Joplin (JIA) |
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Audio Snippets
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Video Clips
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